With the Null Field exhibition, the space of Evdoxia becomes the trigger for counterbalance. In a metallic but at the same time airy atmosphere, the autumn equinox divides its equals into a space that contains zero as a starting point. Using iron, threads and wood with mixed media painting and photography, she creates installations using the light as basic means of expression. The shadows become an integral part of the light while the stairs and the scaffolding in the metal constructions unfold symbols of evolution.